I am stuck on bandcamp, 'cause bandcamp's stuck on me
1) 26 February 2015 (White Bear) - north-without-end (New York)
I like the album cover. Watching the paint dry takes patience, and you can't have patience without paint. This is quite a minimalist piece, ambient, a presence in the room. I have lost all sense of time.
2) upanijjhana - I Am Somebody (Pokhara, Nepal)
There should be a horizontal line over the first a but I couldn't find an alt code. Scratchiness, sudden drum/bass, voices, birds, static, piano? whoa, wasn't expecting this piece to change. Interesting how it morphs into quasi-new age territory.
3) Forever - I, Ced (St. Louis)
High-end production gloss. Kind of modern Stevie Wonder, or Earth Wind & Fire, but jazzier. I like the piano and the vocal layers. I can hear a little Joe Jackson in the piano. At 2:39 it enters a trippier section. The final 1:30 has a nice groove. It has an extra 0:27 of silence on the end, not sure what that's all about.
![Image result for weird random images](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_u1uGa7CHjpYVJv5ICpum0rUigDrdN6BDdeEbR04LrDFR9XN3O1SVzK_z0bLAi-x7kVZ0a0MyiABNMNWuqX6-Eiv_-9AKhCCuUnVLKWoEo_wGBaUBHJ5a-ryeze8pIewyeAcoJ51oH_bXJmgAapJYkky98QgXXh9NWDgkfx_GOFA4kZrM8z6wS_40R0QEQY=s0-d)
1) 26 February 2015 (White Bear) - north-without-end (New York)
I like the album cover. Watching the paint dry takes patience, and you can't have patience without paint. This is quite a minimalist piece, ambient, a presence in the room. I have lost all sense of time.
2) upanijjhana - I Am Somebody (Pokhara, Nepal)
There should be a horizontal line over the first a but I couldn't find an alt code. Scratchiness, sudden drum/bass, voices, birds, static, piano? whoa, wasn't expecting this piece to change. Interesting how it morphs into quasi-new age territory.
3) Forever - I, Ced (St. Louis)
High-end production gloss. Kind of modern Stevie Wonder, or Earth Wind & Fire, but jazzier. I like the piano and the vocal layers. I can hear a little Joe Jackson in the piano. At 2:39 it enters a trippier section. The final 1:30 has a nice groove. It has an extra 0:27 of silence on the end, not sure what that's all about.
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