February 12, 2026 - Charlie Megira - Tomorrow's Gone (2001)

This song is like a dream you remember bits of when you wake up, but then it all evaporates and you're left grasping at hazy tendrils. At its foundation are distant Velvet Underground chords, topped with slow surf guitar tones and bathroom vocals. A floating cloud of dust motes in a room of nothing on a late autumn afternoon as the light starts to fade outside. A leaf all alone going down a slow stream. Something there and then gone.

Charlie Megira was an Israeli musician and he sang in Hebrew. He died (hanged himself) in 2016 at the age of 44. There is a documentary about him that I hope to watch at some point.

[בית 1]

אל תגידי אולי

לא לא, ולא כדאי

אל תגידי אולי

אולי היום, אולי מחר

מחר כבר לא בא

[פזמון]

?אמרי מהר, מה את אוהבת

אמרי ללב, אבל מהר

?אמרי מהר, מה את אוהבת

אמרי נא לי, מי הוא זה

?שאותו את אוהבת

[אאוטרו]

?מה את אוהבת

?מה את אוהבת

?מה את אוהבת

?מה את אוהבת

Don't say maybe

No, no, you shouldn't

Don't say maybe

Maybe today, maybe tomorrow

Tomorrow's gone

Tell me quickly

What do you love?

Tell me to the heart

But quickly

Tell me quickly

What do you love?

Tell me

Who is that?

What do you love?

What do you love? 

February 10, 2026 - Barry De Vorzon - The Warriors (1979)

  

I've decided to post the full video of the opening credits. I can't just sit here and listen to the music without the visuals. The Warriors is a late 1970s cult film about street gangs in gritty grimy dark and unpretty New York City. It's one of my favorites. *Just a brief disclaimer: there is an offensive word or two. It's of its time.

Walter Hill, the film's director, narrates the opening reference to the Battle of Cunaxa, connecting its story of courage to the story we are about to see. The mighty Wonder Wheel stands eerie and pink in the night as a creepy series of notes plays. Then comes the train, moving smoothly through the darkness, arriving with its cold empty cars and unwelcoming lights. The Warriors get on board, heading out to find out what this Cyrus character is all about. Their dialogue gives us some clues about the evening's main event. Meanwhile, many other gangs are in motion, the pulsating music leading them to the trains. 

Barry De Vorzon won the 1978 Grammy for Best Instrumental Arrangement, for "Nadia's Theme (The Young and the Restless)", one of my least favorite pieces of music. That he also composed the music from The Warriors is beyond me. He should have won an award for this, it's way better. Well, he also co-wrote "In The City" with Joe Walsh, so I'll cut him some slack.

Dude, Nadia's Theme? Wow. 

February 8, 2026 - Psychic TV - Godstar (1985)

Psychic TV was the name of the creative vehicle for Genesis P-Orridge, formerly of Throbbing Gristle. Godstar is a tribute to Brian Jones, one of the Rolling Stones. Genesis was keenly interested in his story, and made it a very special story in this song. They sing it with anger in their eyes, great anguish in their voice. SO many heavy words:

And you were so beautiful
You were so very special
I wish I was with you now
I wish I could save you somehow

And where were all of your laughing friends?
Where were they at the very end?
They started to steal your glory
They never even told your story

Genesis was an early Stones fan, and they particularly loved Brian's contributions to their bluesy sound. Brian drowned in his swimming pool at the age of 27 in 1969. The coroner ruled it as "death by misadventure", that he died due to his use of drugs and alcohol. Many fans like Genesis felt that the rest of the group neglected Brian and should have cared more about his condition.

Despite the biting lyrics, the song includes a riff right out of the Stones' classic Brown Sugar. So maybe Genesis forgave them?

I'm also including this video clip, which includes an interview with the very astute Genesis P-Orridge.

February 5, 2026 - David Rosenboom - URBOUI (1968)

 

This is a "Choose Your Own Adventure" kind of music. You begin to listen to this music. If you don't enjoy it, turn to page 2. If you enjoy it, turn to page 37. 

Page 2: You turn it off after ten seconds. You think, does the blog creator actually like this weird stuff? Hmm. You step away and put on something totally familiar and normal, like Def Leppard or Bon Jovi. Yeah...Bon Jovi rocks!! You can breathe easy.

Page 37: You continue to listen to this experimental electronic modified effects sonic recording. It's almost 10 minutes. You really have no idea what is going on. Various sounds appear and change and turn into other sounds. It hangs around, drifting in and out of your awareness. Very interesting. Then it ends. Turn to Page 49.

Page 49: You find yourself in the presence of David Rosenboom. Far out.

February, 3, 2026 - Roy Rogers & The Sons Of The Pioneers - Blue Shadows On The Trail (1948)

This past new year's eve I watched The Big Lebowski for the umpteenth time. The film opens with the 1946 recording of Tumbling Tumbleweeds by the Sons of the Pioneers. It sets the mood nicely with its ambling along the trail atmosphere. The Dude, Jeff Lebowski (played by Jeff Bridges), certainly drifts along to his own beat out there in the vast city of Los Angalese, in the parlance of Sam Elliott.

Leonard Slye co-founded the Sons of the Pioneers in California in 1933, and sang on their 1934 recording of Tumbling Tumbleweeds. In 1937 he was offered a contract to be a Hollywood actor. His contract required him to leave the group and he became Roy Rogers, one of the most famous and popular Western stars of his era. The Sons of the Pioneers continued on, occasionally singing with him and participating in his films. 

Blue Shadows on the Trail appears in the Disney animated film Melody Time, during the Pecos Bill segment. Roy sings the beginning part and the Sons bring in their gorgeous harmonies at 0:23, creating layers of warmth around the fire. Owls and coyotes hoot and howl in the distance. The blue shadows arrive at night, passing quietly across the ground with the moon, velvety and soft. The whistling in the middle is sublime, a delicate accompaniment to night on the Texas terrain.

Move a-long, Blue Shadows, move a-long, soon the dawn will come and you'll be on your way. 

January 31, 2026 - Dur-Dur Band - Tajir Waa Ilaah (1987)

Here's some groovy funk rock from Mogadishu, Somalia. Dur-Dur (meaning "spring" in Somali, as in a natural flowing water spring) Band were huge in their home country in the late 80s. I found this album, Volume 5, at my local library about two or three years ago. I was immediately hooked by the funky grooves, the chicky chick guitar picking, the reverb vocals.

Tajir Waa Ilaah translates to "God is perfect". The song explores themes of human vulnerability, the fleeting nature of wealth, the necessity of humility, and the importance of empathy towards women. It suggests that true, lasting perfection belongs only to the divine, reminding listeners not to look down on others.

In addition to Dur-Dur Band, there were also the Iftin Band, Waaberi Band, and Sharaf Band rocking out in Mogadishu on a regular basis. Unfortunately, as with Cambodia and Ethiopia, war had to raise its ugly head and bring the good times to an end. Somalia had been under military junta since 1978. Rebel groups formed, the government military was defeated, and the country descended into chaos with various groups fighting for power. 

Volume 5 was reissued around a decade ago by the label Awesome Tapes from Africa. From their website:

By 1987 Dur-Dur Band’s line-up featured singers Sahra Abukar Dawo, Abdinur Adan Daljir, Mohamed Ahmed Qomal and Abdukadir Mayow Buunis, backed by Abukar Dahir Qasim (guitar), Yusuf Abdi Haji Aleevi (guitar), Ali Dhere (trumpet), Muse Mohamed Araci (saxophone), Abdul Dhegey (saxophone), Eise Dahir Qasim (keyboard), Mohamed Ali Mohamed (bass), Adan Mohamed Ali Handal (drums), Ooyaaye Eise and Ali Bisha (congas) and Mohamed Karma, Dahir Yaree and Murjaan Ramandan (backing vocals). Dur-Dur Band managed to release almost a dozen recordings before emigrating to Ethiopia, Djibouti and America.

 

January 28, 2026 - Alice Coltrane - Hare Krishna (1971)

 

Have you seen the bumper sticker? It reads: Keep Honking! I'm listening to Alice Coltrane's meteoric sensation 'Universal Consciousness'. I guess it's been around for a few years, but I feel like my first sighting of it was only a few weeks ago. I did a double take. 

If you are in the driver's seat and listening to this album, I hope you're not moving because this album might send you to the astral plane; you could become detached from communal reality and drift off into a zone of all possible outcomes. The title track itself can make traffic lights flash into colors beyond green red and yellow. Or it's always yellow. You never know. Be careful.

Alice Coltrane was a devoted Hindu. She was very highly spiritual and became even more dedicated as the 70s progressed.  Universal Consciousness should really be experienced as a whole, but if I had to choose one track to focus on it's Hare Krishna. This is an eight minute drone-based exploration of spiritual awareness. Very trippy blissful and (generally) relaxing. There are some moments of intense power, but they tend to resolve into a cosmic 'sunset melting into the horizon' feeling.

    

January 27, 2026 - Carole King - Pleasant Valley Sunday (demo) (1966)

I'm not that into Carole King as a solo artist. Tapestry is great, I know, but it's got too much of that early 70s singer-songwriter feel. All that wimpy James Taylor stuff, man. No please.

I do, however, like a lot of the songs she wrote with her husband Gerry Goffin, especially Pleasant Valley Sunday. Everyone knows the Monkees version, it peaked at #3 in 1967, all jangly guitar, bass and harmonies. It's a great tune. I'm not sure that I necessarily prefer this demo version, it just feels more wholesome, like every kid in the town is drinking their milk and then flying kites or riding their bikes. 

Gerry Goffin didn't like living in the suburbs, he thought they were boring and superficial and this tune is critical of that lifestyle. I myself grew up in a suburb of Chicago. I liked it. But it was very sheltered. It was a shock to slowly learn that not every other kid was growing up in a similar environment. Now, I have to say, I'm with Gerry. I wouldn't want to live in the suburbs at this point in my life. I think they're bland.

If you've ever watched the show Weeds, you'll probably recall the satirical tune Little Boxes by Malvina Reynolds:

Little boxes on the hillside

Little boxes made of ticky-tacky

Little boxes on the hillside

Little boxes all the same

There's a green one and a pink one

And a blue one and a yellow one

And they're all made out of ticky-tacky

And they all look just the same

Carole King and Gerry Goffin in 1959: move to the suburbs, you guys! you'll love it!

January 24, 2026 - Ludwig van Beethoven - Piano Concerto No.5 in E♭ Major, Op.73 'Emperor' 2nd Movement, Adagio un poco mosso (1810)

I just need something really moving and gentle right now. To get it all out and keep going. How can there be music like this and humanity is still so violent and greedy and insensitive? I mean, just listen to that piano run that starts at 1:27. So exquisitely delicate.

January 22, 2026 - Delia Derbyshire - Pot Au Feu (1968)

 

Delia Derbyshire was a legend in the world of electronic music. She worked and recorded at the BBC Radiophonic Workshop throughout the 1960s and into the early '70s. She is best known for creating the music for the original Doctor Who in 1963, based on the composition by Ron Grainer, who wanted to give her co-writing credits but the BBC overlords nixed it because they wanted workshop staff to remain anonymous. What a bunch of Daleks.

Additionally, she was part of an electronic studio group called White Noise. The one album she participated on is called An Electric Storm. The final song on the album, "Black Mass: An Electric Storm in Hell", is a bit terrifying to say the least.

Pot Au Feu begins with a tidal wave of noise that leads into a Jaws-like pair of notes. Blurpy bottle boops and piercing synth tones arrive, joined by a number of other percussive sounds and a tense synth melody. It's all very urgent and ominous and amazing.